Prête-Moi Paris

Tag Archives: Grand Palais

Saut Hermès – 2012

Recently I was let out of work early to go spend the rest of the day at the Saut Hermès! It was a glorious sunny day in Paris in the middle of March, and life felt like a million dollars. I walked from work to the Grand Palais where the 3 day jumping contest event was being held for the 3rd consecutive year. I love this building that was built for the World exposition of 1900 with a glass and steel ceiling, it has a yesteryear yet modern style that I never get tired of and reminds me of the Crystal Palace of London built for the World exposition of 1851. Read more →

Jeter un pont – To build a bridge

The pont Alexandre III, inaugurated for the 1900 World’s Fair in Paris, was to symbolize the Franco-Russian friendship and alliance, under the leadership of the French president Sadi Carnot and the tsar Alexandre III of Russia.

Creating a large avenue access to the Petit Palais and to the Grand Palais, the bridge also created a grand perspective upon the Invalides monument where before there was not much to look at.

Sculptures were created by quite a few different artists of the time. Georges Récipon is the author of the two sculpture groups on either side of the bridge in the center : on one side two figure representing the nymphes fo the Neva river with the coat of arms of Russia and on the other side two figures representing the nymphes of the Seine with the coate of arms of Paris.

I personally like the detail work seen in the various sculptures on the bridge, it’s a clear indication of the art movement of that period; one that was classic yet charged with floral and nature detailing everywhere.

The rooster is a symbol of France

The ship is the symbole of Paris

 

Maybe at every turn of the century France feels an urge to invite their Siberian pals over for a fancy dinner or festival. 2010 was named the year of France and Russia. I thought it would be interesting to talk about this bridge because recently there was an effort for another friendly back-patting between Russia and France, garnished with the invitation of a couple of Russian dance troupes to perform in Paris, and a grand exhibition of artwork at the Louvre as well as festivals in other French cities, Chanel even had very Russian inspired designs over the past winter in the display windows. These manifestations are all frosting on the diplomatic/military/business cake that the two are often baking together over the past 100 years.

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